Central Park

Central Park is a large public, urban park (843 acres ; a rectangle 2.5 statute miles by 0.5 statute mile) in the borough of Manhattan in New York City. With about twenty-five million visitors annually, Central Park is the most visited city park in the United States, and its appearance in many movies and television shows has made it among the most famous city parks in the world. It is run by the Central Park Conservancy, a private, not-for-profit organization that manages the park under a contract with the New York City Department of Parks and Recreation.

Central Park is bordered on the north by West 110th Street, on the west by Central Park West, on the south by West 59th Street, and on the east by Fifth Avenue. Along the park's borders, these streets are usually referred to as Central Park North, Central Park West, and Central Park South, respectively. ( Fifth Avenue retains its name along the eastern border.)

The park was designed by Frederick Law Olmsted and Calvert Vaux, who later created Brooklyn's Prospect Park. While much of the park looks natural, it is in fact almost entirely landscaped and contains several artificial lakes, extensive walking tracks, two ice-skating rinks, a wildlife sanctuary, and grassy areas used for various sporting pursuits, as well as playgrounds for children. The park is a popular oasis for migrating birds, and thus is popular with bird watchers. The 6-mile road circling the park is popular with joggers, bicyclists and inline skaters, especially on weekends and in the evenings after 7:00 p.m., when automobile traffic is banned.

History

Early history

The park was not part of the Commissioners' Plan of 1811; however, between 1821 and 1855, New York City nearly quadrupled in population. As the city expanded, people were drawn to the few open spaces, mainly cemeteries, to get away from the noise and chaotic life in the city. Before long, however, New York City's need for a great public park was voiced by the poet and editor of the then-Evening Post (now the New York Post), William Cullen Bryant, and by the first American landscape architect, Andrew Jackson Downing, who began to publicize the city's need for a public park in 1844. A stylish place for open-air driving, like the Bois de Boulogne in Paris or London's Hyde Park, was felt to be needed by many influential New Yorkers, and in 1853 the New York legislature designated a 700 acre area from 59th to 106th Streets for the creation of the park, to a cost of more than US$5 million for the land alone.

Initial development

The State appointed a Central Park Commission to oversee the development of the park, and in 1857 the commission held a landscape design contest. Writer Frederick Law Olmsted and English architect Calvert Vaux developed the so-called "Greensward Plan", which was selected as the winning design. According to Olmsted, the park was "of great importance as the first real Park made in this century—a democratic development of the highest significance…", a view probably inspired by his stay, and various trips in Europe in 1850. During that trip he visited several parks, and was in particular impressed by Birkenhead Park near Liverpool, England, which opened in 1847 as the first publicly funded park in the world.

Several influences came together in the design. Landscaped cemeteries, such as Mount Auburn ( Cambridge, Massachusetts) and Green-Wood ( Brooklyn, New York) had set an example of idyllic, naturalistic landscapes. The most influential innovations in the Central Park design, were the "separate circulation systems" for pedestrians, horseback riders, and pleasure vehicles. The "crosstown" commercial traffic was entirely concealed in sunken roadways screened with densely planted shrub belts, so as not to disturb the impression of a rustic scene. The Greensward plan called for some 36 bridges, all designed by Vaux, ranging from rugged spans of Manhattan schist or granite, to lacy neo-gothic cast iron, no two alike. The ensemble of the formal line of the Mall's doubled allées of elms culminating at Bethesda Terrace, with a composed view beyond of lake and woodland was at the heart of the larger design.

Before the construction of the park could start, the area had to be cleared of its inhabitants, most of whom were quite poor and either free African-Americans or immigrants of either German or Irish origin. Most of them lived in smaller villages, such as Seneca Village, Harsenville, the Piggery District or the Convent of the Sisters of Charity. The roughly 1,600 working-class residents occupying the area at the time were evicted under the rule of eminent domain during 1857, and Seneca Village and parts of the other communities were torn down and removed in order to make room for the park.

During the construction of the park, Olmsted fought constant battles with the Park Commissioners, many of whom were appointees of the city's Democratic machine. In 1860, he was forced out for the first of many times as Central Park's Superintendent, and was replaced by Andrew Haswell Green, the former president of New York City's Board of Education took over as the chairman of the commission. Despite the fact that he had relatively little experience, he still managed to accelerate the construction, as well as to finalize the negotiations for the purchase of an additional 65 acres at the north end of the park between 106th and 110th Streets, which would be used as the 'rugged' part of the park.

Between 1860 and 1873, the construction of the park had come a long way, and most of the major hurdles had been overcome. During this period, more than 500,000 cubic feet of topsoil had been transported in from New Jersey, as the original soil wasn't good enough to sustain the various trees, shrubs and the plants the Greensward Plan called for. When the park was officially completed in 1873, more than ten million cartloads of material, including soil and rocks which were to be removed from the area had been manually dug up, and transported out of the park. Also included were the more than four million trees, shrubs and plants representing the approximately 1,500 species which were to lay the foundation for today's park.

20th Century

Following the completion of the park, it quickly slipped into decline. One of the major reasons for this was the disinterest of Tammany Hall, the political machine which was the largest political force in New York at the time.

Around the turn of the century, the park faced several new challenges. Cars had been invented and were becoming commonplace, bringing with them their burden of pollution. Also, the general mental view of the people was beginning to change. No longer were parks to be used only for walks and picnics in an idyllic environment, but now also for sports, and similar recreation. Following the dissolution of the Central Park Commission in 1870 and Andrew Green's departure from the project and the death of Vaux in 1895, the maintenance effort gradually declined, and there were few or no attempts to replace dead trees, bushes and plants or worn-out lawn. For several decades, authorities did little or nothing to prevent vandalism and the littering of the park.

All of this changed in 1934, when Fiorello LaGuardia was elected mayor of New York City and unified the five park-related departments then in existence, and gave Robert Moses the job of cleaning up. Moses, then about to become one of the mightiest men in New York City, took over what was essentially a relic, a leftover from a bygone era.

According to historian Robert Caro in his 1974 book The Power Broker,

Lawns, unseeded, were expanses of bare earth, decorated with scraggly patches of grass and weeds, that became dust holes in dry weather and mud holes in wet…. The once beautiful Mall looked like a scene of a wild party the morning after. Benches lay on their backs, their legs jabbing at the sky….

In a single year, Moses managed to clean up not only Central Park, but also other parks in New York City; lawns and flowers were replanted, dead trees and bushes replaced, walls were sandblasted and bridges repaired. Major redesigning and construction was also carried out; for instance, the existing Croton Lower Reservoir was filled-in so the Great Lawn could be created. The Greensward Plan's intention of creating an idyllic landscape was combined with Moses' vision of a park to be used for recreational purposes—nineteen playgrounds, twelve ballfields, and handball courts were constructed. Moses also managed to secure funds from the New Deal program, as well as donations from the public, thus ensuring that the park got a new lease of life, prospering under the wings of a powerful and new defender.

1960–1980

When Robert Moses stepped down as Park Commissioner in 1960, nobody could replace him and the power and influence he had. During his twenty-six years as a commissioner, he had not only maintained the parks in New York City, but he had also started numerous other projects. When he left, the park gradually began to deteriorate, due to vandalism, littering and graffiti, and varied events scheduled to take place in the park. New Year's Eve celebrations, summer concerts, peace rallies and protest marches, and numerous other arrangements during the sixties resulted in a park similar to what it looked like before Moses took over. The number of crimes committed in the park increased, the funding decreased, and the park looked like it was out of control until the Central Park Conservancy was founded in 1980.

Despite outward appearances, there were several positive aspects of this twenty-year period. The Public Theater introduced its annual Shakespeare in the Park in 1962, and the New York Philharmonic Orchestra and the Metropolitan Opera initiated their annual summer concerts on the Great Lawn.

By 1975 several advocacy groups joined forces to come up with new ideas for how to take care of the park. In order to gain influence over the direct care of the Park, they approached New York City mayor Edward Koch, and Gordon Davis, the then-park commissioner. Under their leadership, the Central Park Conservancy was founded in 1980, led by chairman Bill Beinecke and Central Park Administrator Betsy Barlow Rogers.

1980–present

When the Central Park Conservancy started, the founders did not want to create a new organization because of the high costs that formally employing caretakers would incur. Instead, they decided to focus on attracting volunteers for most of the work, as this also would facilitate a campaign to make the people of New York more aware of the park, as well as trying to create a feeling that the park was a major part of the identity of New York.

The conservancy cooperated with the Park Commissioner, and took over all responsibility for the restoration and maintenance of the park, publishing a 1981 paper called "Rebuilding Central Park for the 1980s and Beyond". The document was devised as an early masterplan for the continued development of the park and described the actions needed to restore the park to its former glory.

The paper described three key tasks deemed essential for the park's future survival. The architectural heritage had to be restored—not only the landscape and environment, but also the bridges, buildings and other structures that had fallen victim to twenty years of neglect. In addition to this, the paper also called for an extensive reseeding of grass and constant care for every area of the park, as well as programs that would increase the security around the park—especially at night—and thus attract more visitors.

Over the years, many structures have been restored, and numerous hours have been spent restoring the park. In 2004 alone, volunteers spent more than 32,000 hours working in the park, restoring (amongst others) the Heckscher playground, a thirty-acre area including a building, several meadows, and rock outcroppings.

In addition, the privately-funded construction of the Diana Ross Playground in 1986 demonstrated how non-governmental entities could work to improve the face of the park.

Sculptures

List of sculptures in Central Park

Though Olmsted disapproved of the clutter of sculptures in the park, a total of twenty-nine sculptures have crept in over the years, most of which have been donated by individuals or organizations (and not the city itself). Much of the first statuary to appear in the park was of authors and poets, clustered along a section of the Mall that became known as Literary Walk. The better-known sculptors represented in Central Park include Augustus Saint-Gaudens and John Quincy Adams Ward. The "Angel of the Waters" at Bethesda Terrace by Emma Stebbins (1873), was the first large public sculpture commission for an American woman. The 1926 statue of the sled dog Balto who became famous during the 1925 serum run to Nome, Alaska is very popular among tourists, reflected in its near polished appearance as the result of being patted by countless visitors. The oldest sculpture is "Cleopatra's Needle," actually an Egyptian obelisk of Tutmose III much older than Cleopatra, which was donated to New York by the Khedive of Egypt. The largest and most impressive is equestrian King's Jagiello bronze monument on the east side of Turtle Pond. North of Conservatory Water, the sailboat pond, there is a larger-than-life statue of Alice, sitting on a huge mushroom, playing with her cat, while the Hatter and the March Hare look on. A large memorial to Duke Ellington created by sculptor Robert Graham was dedicated in 1997 near Fifth Avenue and 110th Street, in the Duke Ellington Circle.

For 16 days in 2005 (February 12 — 27), Central Park was the setting for Christo and Jeanne-Claude's installation, The Gates. Though the project was the subject of very mixed reactions (and it took many years for Christo and Jeanne-Claude to get the necessary approvals), it was nevertheless a major, if temporary, draw for the park.

Activities in the park

Each summer, the Public Theatre presents free open-air theatre productions, often starring well-known stage and screen actors, in the Delacorte Theatre. Most, though not all, of the plays presented are by William Shakespeare, and the performances are generally regarded as being of high quality since the start in 1962.

The New York Philharmonic gives an open-air concert every summer on the Great Lawn and the Metropolitan Opera presents two operas. Many concerts have been given in the park including the Simon and Garfunkel reunion; Diana Ross, 1983; Dave Matthews Band, 2003.

Also each summer, City Parks Foundation offers Central Park Summerstage, a series of free performances including music, dance, spoken word, and film presentations. SummerStage celebrated its 20th anniversary in 2005, having welcomed emerging artists and world renowned artists over two decades, including Celia Cruz, David Byrne, Curtis Mayfield, Ladysmith Black Mambazo, and Nobel Laureate and Pulitzer winner Toni Morrison.

A long tradition of horseback riding in the park is kept alive by the one remaining stable nearby, Claremont Riding Academy.

The numerous portrait artists who work in Central Park have been interviewed and documented by Zina Saunders as part of her Overlooked New York project.

Central Park offers dozens of activities for children, including performances by master puppeteers at the historic Swedish Cottage Marionette Theatre.

Central Park Online